Advance Publications is a family business in New York City trying to diversify its historic participation in the distribution of copy on paper by getting into 'broadcasting' and technology. Chloe Morrison was in their employ before they sold her publisher, apparently not factored into Simon & Schuster's "juicy chronicle" asking whether the Newhouses' magazine office "paved the way for MAGA" (Klein, 15 July 2025, Forward.com) though Random House financed _art-of-the-deal_. (Yes C20 it's the same org) Anyway, Vogue was online in 1998 though Elle's archived sooner as an international channel publishing about "style, self, state of mind, status, senses, bla-bla-bla, and home" with cover star Linda Pedro, a story about "the Dalai Lama going to Hollywood" and some food-insecurity trigger. Instead of a brand website, Vogue subsumed its online presence under "Phys," with the "calculators" link specifying "target© heart rate" "calories burned" "fat need" "caloric need" "protein need" "carbohydrate need" "body mass index" "ideal weight" "body fat percentage" "health risk assessment" (5 July 1998). I am told Anna Wintour's marriage to a {South African} psychiatrist {1984-1999} is true beyond Wikipedia; maybe her paycheck at Vogue began in 1983. The S-curve enjoyed hopefully by likes of Kim Kardashian is a trend W reported first.

Since 2024's presidential contest, they cancelled Pitchfork's local summer concert that was always popular among my high school friends though I wasn't invited. Their "layoffs and restructing" were continuously reported to me, as well as a story in October of that year about the new website by fired Pitchforkers: Hearing Things. Who are implored to plug in! And the New Yorker has nothing to say about Karl Marx: Conversion imports the manifesto for theology exclusively.

But that's Condé Nast, a New York City boy schooled in Kate Chopin and Tom Eliot's hometown; her story, "A Pair of Silk Stockings" was published before his acquisition of it in 1909. Fifty years later Advance took Nasty's stable, and more. As of 10 July, PLANTA Queen's neighbor Spencer Stuart has my CV specifying interest to edit Vogue's final copy; more recently taxing Advance Publications with a W-9 their former EIC has no comment? [LitHub/patterson's-latest-team] #youare🔥'd! So, what

Hmmm... four weeks earlier, Shannon Mattern mentioned her resignation from "a tenured, full, presidential professorship: After 23 years of good work and boundless service, I'm moving on to new, less depleting, more ethically affirming adventures!" The CV on WordsInSpace.net identifies her as The New School's anthropologie professor as of 2006 at latest, for the role of DGS. Her work in Sound Studies began in Fall 2005 with a co-taught graduate seminar, "Sound & Space" (in conjunction with their work to create an area of study called Media and Urban Environments), and presentation at Ryerson's Acoustics Conference in June 2006: "What Sound Does a Text Make?" Her article "Sounding Towers" was the Canadian Centre for Architecture's 'Scholar's Choice' in 2012: further publications include "Sounds of the Contemporary American Public Library" (2007) for The Senses & Society and "Sonic Archaelogy" in The Routledge Companion to Sound Studies (2018). In 2022 New School's college announced a new dean from Hampshire — Amherst's business someone apprised me of at Stanford (thank you) and in Boston — who described 'himself' as "philosopher, critic, and curator of visual and sonic art" given authorship of "Sonic Flux: Sound, Art, and Metaphysics" (University of Chicago Press, 2018) and "Nietzsche: Naturalism and Interpretation" (University of California Press, 1999). Earlier I'd associated that name with Harper's Mag, not Bazaar. In 2010 for the department of literary studies I visited Schwarzman Rose via the Hearst title edited by Willa. platonically electing both to saxaphone in middle school after I transferred, Jonah matriculated to Steinhardt@NYU and Manhattan School of Music, though Mannes was a reference for his conversation: who's Dan Morgenstern to you?

My writeup to the supervisor for that gig used the email subject, "Everything You've Always Wanted to Know About Cosmopolitan" and did ask. His teaching demonstration on the topic of "sex drugs and cocoa puffs" forced my absence that seminar; the dean whose interview I'd sought previously hired them anyway so I read about n+1 in the Times and asked about it during enrollment from the academic advising office where they chose for me either 978-0807841693 or Marco Roth's. Their opinion of him was favorable in my presence explicitly in reference to Boston Review rather than our institution. Their office seemed an object of ridicule for Gawker (which eventually suffered a defeat by an undergraduate student of René Girard's and a bodybuilder) but I was interested in psychology autodidactically (autodidacticism being their wheelbarrow). Pretending Nora is at Sam's desk to lurk on malformed 'bullet points' of mine soothed worry about HTML.

Memory serves Nora joining the office of Vogue Italia (her dad chaired) after Franca Sozzani's publication glossed my review of an issue in their favor; Bee Schaffer married in.

Forth is daughter to Munich architects currently titled "Head of Information Services (Digital, Comms and Libraries) for Eastern Europe & Central Asia" at the Goethe Institute (where I studied for one term... recalling whether Fabien Eggers had a gig there concurrently), on the basis of aptitude for journalism, whose byline for Die Zeit I declined on my object but sent to her my paperwork in exchange for translation. Forth's bachelor's thesis focused on sex scandals of U.S. political celebrities. "on LinkedIn: Ukraine: Luft anhalten. Weiterspielen The prestigeous German ZEIT has visited the Kyiv theatre scene. Ukrainian theatre stages are playing an essential role in continuous resilience and shaping of identity. Very happy that Goethe". at the 2016 election result I screened "An Amercan Poem" (a youtube video from public access of Eileen Myles reading) for an undergraduate tutorial and again for professors and their doctoral students during an online lunchtime seminar coinciding with the 2020 election in Cali. Myles previewed the text with her "Inferno: a Poet's Novel" (OR Books, 2010); Dante was the subject of Michael Pettinger's first-year college seminar (he taught my Origins of the Novel class that has no substantive rival in mainstream Novel Studies) & an Or Books editor was assigned for senior capstone project. Jill Magi was the lit magazine's faculty advisor, but it wasn't really until after moving on from The New School that I encountered poetry first through acquaintance in Brooklyn who allowed me to follow her for a week in Kansas City and then Germany where Sean Bonney had perspective on New Narrative, and Cameron Seglias network proximity to Ugly Duckling Press. I emailed Myles thrice before she answered: sorry anyone who calls me maam gets shit [sic].

My question intercepts polemic, the final movement of "An American Poem" participates in the 'institutional turn' literary studies got finally through cultural sociology via decades of pressure from feminism and contemporary art. What's lovable is her production of a speaker disctinct from poet or fiction, but embodied in a way the novel's narrator has never been -- so when asking, "my art can't be supported until it is gigantic, bigger than everyone else's, confirming the audience's feeling that they are alone...Are you normal tonight?," is Eileen Myles transcending those conditions or weaponizing {auto}ethnographic observation? Without an interview I'm not permitted to say, 'maybe the latter.'

Maybe opinions shouldn't be printed and in exchange permitted for conversation. NYTimes gives a booking email for its press address so why not bother speculating on its closure of arts reviews as a decision quasi-automated through data metrics, the way 'pi' defamiliarizes spatiality ahead of the chatbot's regurgitating corpus.

During transcribed interview, Morrison takes adolescence for reproduction offering the benefits of 'getting it over with' prior to career business -- even promising to help with babysitting. I was already in my twenties, would she care about that person? Knowing she read Tolstoy makes it easier to say Joanne Rowling hasn't, though her prologue is as bad as his in War and Peace! We shouldn't say writing for minors is more challenging than excelling in any genre since pedagogues who classically or theoretically reject ageism evidence their society's incapacity: artwork should be created with one's peer group rather than for hierarchy (yesterday's narrative).

What I found sad is hearing that Sean mention 'being in the same circles' as Mark Fisher like death was celebrity. That was at one reading he gave, not with Anne Boyer, though she crossed my path there, and I also finished his seminar. A lovely bunch of students from FUB's English Studies program joined Seglias and me in a room at the JFKI; some were British, including a writer who traveled to Kolobrzeg one weekend like me by coincidence?, but there was also that guy from Occupy Oakland. (Sean Dunn is a creative linked to US military in Bavaria.)

Gustav Percivall was a freelance writer in Swedish who TA'd for Alex Nemrov while authoring his dissertation on JMW Turner who said I ought go to a graduate program [in the U.S.] for money and write about my family. The final time we met in line for the annual show at UdK, where one of my classes had an exhibit (of a bed), the whites of his eyes appeared yellow: he texted the diagnosis eventually. Dennis Prinz traveled to Palo Alto for startup capital on the heels of Whitney Bagge and Danny Burkli without making a deal, so what? A classically trained actor who made a splash in Berlin nightlife, I'm told his mother was diagnosed and submitting to medication drawing an invisible thread to Agnes Richter. With dialogism, Frankenstein broadcast the European anti-Americanism persisting in ubiquitous mention of "America" to specify a crowd rather than histories. Victor decides to quit his commission, the request was creating a mate for our zombie, because "if they were to leave Europe & inhabit the deserts of the new world, it {would most likely be} their intention to have children, and a race of devils would be propagated 'up'on the earth from whose form and mind man shrunk with horror." Oxford University's Bodleian library corroborates its editor's ascribing "up" to the author's husband, who was meddling in her journals also. Mary's mother married at the U.S. embassy in Paris before the author of Gilbert Imlay, "Topographical Description of the Western Territory of North America," abandoned his family. The dubious legitimacy of that betrothal must account for her daughter's elopement... Mary wasn't Imlay's child but the second husband's, who thus gained stature in England ;over her dead body! We must not conflate Victor Frankenstein with Mary Shelley though I enjoy asking how visual artists participate in crafting fiction(s). Fashion photography estranges the question on runways, in magazines, and for narrative video — but not costume. Whatever you have on is fine, is your body comfortable?